artificial harmonic造句

• Artificial harmonics are more difficult to produce than the natural harmonics described above.
• Natural and artificial harmonics are used a great deal in virtuoso concertos for the double bass.
• The first movement ends with a scale in artificial harmonics, like the scale in the coda.
• The guitar solos are very fiery, making use of artificial harmonics, sweep picking, tapping and wild bends.
• Elaborate passages in artificial harmonics can be found in virtuoso violin literature, especially of the 19th and early 20th centuries.
• This is often combined with natural and artificial harmonics, to make a " screaming " or " squealing " sound.
• Artificial harmonics are more difficult to produce than natural harmonics, as they involve both stopping the string and playing a harmonic on the stopped note.
• The upper range a virtuoso solo player can achieve using natural and artificial harmonics is hard to define, as it depends on the skill of the particular player.
• Although harmonics are most often used on open strings, occasionally a score will call for an artificial harmonic, produced by playing an overtone on a stopped string.
• Guitarist Greg Kubacki's playing style uses a lot of descending pick scrapes, artificial harmonics, ascending Digitech Whammy pedal sweeps, pitch shifting and ring modulation.
• Reffett is also known for his use of wide vibrato string bending, fretboard tapping, legato articulation, whammy bar dive bombs, artificial harmonics, and chromatic passing tones.
• Both natural harmonics and artificial harmonics, where the thumb stops the note and the octave or other harmonic is activated by lightly touching the string at the relative node point, extend the instrument's range considerably.
• To produce an "'artificial harmonic "', a stringed instrument player holds down a note on the neck with one finger of the bows the side of the string that is closer to the bridge.
• The Solo Sonata presents violinists with many difficulties and uses the full gamut of violin techniques : several notes played simultaneously ( multiple stops ), artificial harmonics, left-hand pizzicato executed simultaneously with a melody played with the bow, and wide leaps between pitches.
• Both main elements of the first movement, its sombre, restless first subject, and its lyrical pendant ( begun by a solo chromatic glissandi, double stops, arpeggios, sixths, octaves, thirds, chromatic scales, and artificial harmonics, not to mention a myriad of bowing techniques.
• But several far better-known virtuoso violinists have distinguished themselves by undertaking to record his fiendishly difficult La ronde des lutins ( or Dance of the Goblins, with its extended passages of rapid double stops, artificial harmonics in double stops ( using all four left fingers ) and left-hand pizzicati.
• Traditional notation of artificial harmonics uses two notes on one stem : the lower note employs a round note-head representing where the string is strongly stopped with the first finger, and the upper note uses an open " diamond " note-head representing where the string is lightly touched with the fourth finger.
• "' Artificial harmonics "'are played by stopping the string as usual with the left hand then resting ( not pressing ) the index finger of the right hand on the string at a nodal position ( commonly 5, 7, 9, or 12 frets above the left hand finger ) and plucking the string with the ring finger or thumb of the right hand.
• A "'pinch harmonic "'( also known as "'squelch picking "', "'pick harmonic "'or "'squealy "') is a guitar technique to achieve artificial harmonics in which the player's thumb or index finger on the picking hand slightly catches the string after it is picked, canceling the fundamental frequency of the string, and letting one of the pitched sound which is particularly discernible on an electrically amplified guitar as a " squeal ".